Glass, single red overlay colour on a semi opaque cloudy ground, carved with a confucian with a symbolic prop demonstrating to a boy, the other side with incense emitting from a conch shell to the pavillion in the sky. Stopper carved from wood. Chinese, 1780-1850.

Glass, single red overlay carved on a white snowstorm ground with a fish on each side lying on a floating leaf, the shoulders each with mask and ring handles and the oval foot rim carved from the red coloured material. Stopper, green jade mounted on silver collar. Chinese, 1780-1850.

Glass, red overlay on a snowflake ground carved on each side with a shou medallion (longevity) surrounded by a thundercloud pattern, the shoulders each with mask and ring handles, the foot rim also carved from the red overlay. Chinese, 1780-1850. (chipped and damaged).

Glass, single overlay on a semi opaque ground, carved to show a fo dog on a rocky outcrop watching an elephant, a pine tree in between them, the other side with another fo dog watching a tiger with bamboo between them (cracked body). Chinese, 1780-1850.

Glass, single red overlay on a milky ground, the overlay carved with three billy goats on a rocky outcrop under the pine trees all on a raised oval foot rim (badly cracked), stopper carved from wood with metal inlay. Chinese, 1780-1850.

Glass, red overlay on a translucent clear body, the overlay carved with a phoenix and with the sun above in the clouds and the other side with a fish and lotus, the raised oval foot rim also carved from the overlay. Stopper carved from wood. Chinese, 1780-1850.

Glass, red overlay on a white ground, the red overlay polished evenly around the body except above the base and the foot. Stopper made from blue translucent glass with a turquoise coloured finial. Chinese, 1750-1800.

Glass, multi coloured overlay on a misty semi translucent ground, one side carved with peonies in full bloom and buds on the branches, and a butterfly above, the other side with a prunus plant also with flowers in full bloom and buds. Stopper carved from wood. Chinese, Qianlong period, 1736-1795.

Glass, multicoloured overlay on a misty semi translucent ground, the overlay carved with a turnip and a large flowered peony growing from rocky ground above which is a butterfly (damaged overlay below). Stopper of turquoise colour. Chinese, Qianlong period, 1736-1795.

Glass, multi coloured overlay carved with flowering lotus plants and yellow millet, above is a dragonfly, the raised oval foot rim carved from the blue coloured overlay. Stopper carved from wood. Qianlong period, 1736-1795.

Glass, the mottled toffee colour and darker brown swirling material carved into a flattened rounded body with an oval raised and pronounced foot rim (the neck damaged - reduced height and width). Stopper carved from wood, inlaid with cut pink glass. Chinese, 1780-1850.

Glass, of even caramel colour, the body of tall and tapering pear shape,the base slightly indented, the neck reduced probably because of earlier damage, the body of the bottled cracked. Stopper probably of coral with a metal finial. Wooden stand. Chinese, 1780-1850.

Glass, of even caramel colour, the rounded body carved on each shoulder with mask and ring handles, the base carved with a raised oval foot rim. Stopper of white glass covered in a coral coloured layer in imitation of coral. Chinese, 1780-1850.

Glass, of mottled caramel colour, the body of flattened oval form with each edge flattened and with a slightly recessed and indented foot (damaged neck). Stopper mottled green jadeite. Chinese, 1780-1850.

Glass, even caramel colour of flattened rectangular form with a raised oval foot rim with concave mouth (chipped). Stopper mottled green jadeite. Chinese, 1780-1850.

Glass, translucent ruby red of flattened squared form, each side and face with a flattened panel (each recarved), the foot raised and the neck concave (chipped). Chinese, 1780-1850.

Glass, single overlay of red on a white ground, the overlay carved around the foot and the mouth. Stopper of mottle green glass imtating jadeite on an agate collar. Chinese, 1760-1850.

Agate, of bulbous rounded form, each shoulder carved with mask and ring handles, the foot rim raised and the neck slightly flared. Stopper, mottled green jadeite. Chinese, Palace Workshops, Beijing, Qianlong period, 1736-1795.

Agate of mottled and semi translucent brown colours, each shoulder carved with mock mask and ring handles and an oval raised foot rimand concave mouth. Chinese, 1780-1850.

Glass, the body of swirly patterned light and brown coloured material cleverly mixed and blown to create a wave pattern, the base with raised oval foot rim, each should carved with mask and ring handles (neck badly chipped). Stopper slightly green mottled jadeite. Chinese, 1760-1820.

Agate, the mottled darker and lighter material carved on each shoulder with mask and ring handles, with oval raised footrim and concave mouth. Stopper of carved brown agate. Chinese, 1780-1850.

Glass, of even caramel colour, the body carved on each face with a rounded raised panel, the sides each with a tall oval panel, with raised flat foot and a metal mounted mouth (not original). Stopper green iridescent stone. Chinese, 1780-1850.

Glass, the rounded body of dark coffee coloured material, with raised oval foot. Stopper of mottled green jadeite. Chinese, 1780-1850.

Glass, translucent brown colour of cylindrical form with a raised oval foot rim and concave neck. Chinese, 1780-1850.

Glass, of mottled swirly brown material of slightly flattened oval form with raised foot rim and concave mouth. Stopper carved from wood. Chinese, 1760-1820.

Glass, of even caramel colour, the body tapering to the neck and with four panels, one on each side and one on each edge with raised oval foot, (damage to foot, panel and chipped neck). The stopper of coral on a red collar. Chinese, 1780-1850.

Glass, single overlay of dark brown on a turquoise ground, the dark overlay carved with ribs down each edge, the front and reverse with inlaid panels of different glass, the neck and the base showing the turquoise coloured body colour (both chipped). Stopper of coral on a yellow plastic collar. Chinese, Palace Workshops, Beijing, Qianlong period, 1736-1795.

Glass, translucent blue colour of large form, each shoulder carved with mask and ring handles, the base with raised oval foot rim and a flat mouth. Stopper of yellow overlaid glass. Chinese, 1780-1850.

Glass, dark blue overlay on a white body, each shoulder carved with mask and ring handles showing through to the white body as with the flat neck and the raised foot rim. Stopper of wood. Chinese, 1780-1850.

Glass, of translucent blue colour suffused throughout the body with inclusions of glass imitating aventurine, the base carved with a raised oval foot rim and the wide cylindrical neck with wide mouth. Stopper of wood. Chinese, Qianlong period, Palace Workshops, 1736-1795.

Glass, tall flattened rectngular made from mottled blue and clear opaque material, the shoulders carved with mask and ring handles with concave neck and raised oval foot rim. Stopper blue glass. Chinese, 1780-1850.

Glass, of translucent blue colour of translucent material incised with a hard point depicting a fish on both sides, the base and the neck flat. Stopper of coral on a green glass collar. Chinese, 1780-1850.

Glass, rounded grey/white colour with blue coloured embellished flowers and butterflies applied by hand whilst hot, the raised oval foot flat and a concave mouth, the stopper blue glass. 1750-1800.

Porcelain, moulded in a flattened rounded form with mask and ring handles and raised oval footrim, the body decorated in underglaze blue with a dragon on each side, the base inscribed with four characters 'Qianlong nianzhi'' (Made during the Qianlong period). Chinese, 19th century.

Glass, of small cylindrical form, the body of a wavelike swirly blue pattern sweeping around the body of the bottle, the foor with raised circular foot rim. Chinese, 18th century.

Glass belthook of pure white material carved in the form of a dragon with its head facing backwards to the body and a rounded knop below for attachment to the belt. Beijing, 19th century.

Glass belthook of pure white material carved in the form of a dragon with its head facing backwards to the body and a rounded knop below for attachment to the belt. Beijing, 19th century.

Glass, of semi opaque misty white overlaid with a dark blue layer and carved with butterflies and flowers with raised oval foot rim. Stopper of pink mineral mounted in a metal collar. Chinese, 1760-1820.

Glass, white, of flattened oval form with a black overlay carved with lotus plants on both sides, the raised oval foot also carved from the black overlay. Stopper of coral. Chinese, 1780-1850.

Glass, opaque white material of tall oval form which is overlaid with a dark ruby coloured layer and carved away to reveal a carp on each side and the shoulders with mask and ring handles and the oval raised foot rim also carved from the overlay. Stopper of amethyst. Chinese, Qianlong period, 1736-1795.

Glass, of mottled black and cream and brown hues, blown and polished into a pebble form imitating a stone. Stopper of (probably) a carved garnet. Chinese, 1780-1850.

Glass, of flattened rounded form of shiny black colour interspersed with gold imitating aventurine spots, the base and the neck flat. Stopper translucent red glass. Chinese, 1760-1800.

Mottled green and brown bowenite, the large body of flattened rounded form, well hollowed and with a raised oval foot rim and a concave mouth. Chinese, 1780-1850.

Agate, of translucent pale beige colour each face carved with a squared geometric design and the edges with an oblong design, the base raised and oval. Stopper of mottled green/grey nephrite. Chinese, 1780-1850.

Porcelain, of cylindrical form, decorated in underglaze red with two five clawed dragons (Imperial draogons were depicted with 5 claws) contesting the flaming pearl above waves, the neck and foot with underglazed blue concentric bands. Chinese, Jingdezhen, 19th century.